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With kind permission of David A Douglas
A Perspective on Ancient Jewish Oil Lamps from the Chalcolithic to Byzantine Periods A Collection by David A. Douglas, Ph.D.
"Overview"
A Perspective on Ancient Jewish Oil Lamps and an Examination of their Practical and Ritualistic Use along with the Properties of Light and its Symbolism. by David A. Douglas, Ph.D.
Following is a catalogue-essay comparing the evolution and development of terra- cotta oil lamps from Israel to the archaeological-chronology, world history and the traditional Biblical narrative. The practical and ritualistic use of oil lamps are also detailed along with the intriguing properties of light and its symbolism, as studied through each of the Archaeological / Historical time periods. The typology of each lamp is explained and referenced to its particular time period along with general pottery descriptions and archaeological related data. With Sincere Thanks: To my loving wife, companion and friend, Carol Goldman, who's support and encouragement continually inspires me. To my Rabbi, Larry Englander, who's spiritual leadership continues to guide me. To the Land of Israel, whose history and People continue to astonish me.
CONTENTS
OVERVIEW: ..................................................................... 1
CONTENTS: .................................................................. 3
PREFACE: ..................................................................... 4
PART ONE: An Introduction to Oil Lamps
i. A Personal Perspective 7 ii Archaeological History 14 iii. Early Pottery Explanations 16
PART TWO: A Study-Outline of the Oil Lamp
i. Evolution and Development of the Oil Lamp 18 ii. Archaeological Chronology 19 iii. Archaeological Period Description 20
PART THREE: Chronology References
i. Time-Chart Chronology of History and the Oil Lamp 23 ii. Time-Chart of Great Ancient Civilizations 25
i. Oil Lamp Acquisition Sources 27 ii. Ancient Map of Israel 34
Descriptions and Colour Plates
i. Oil Lamp Descriptions by Archaeological Period 35 ii Oil Lamp Colour Plates by Period 46
APPENDICES:
i. Glossary of Terms 70 ii. Excavation Schematic 72 iii. Chart of Pottery Type Characteristics by Period 73 iv. Oil Lamp Dating Analysis 74 v. Bibliography 75
Preface While attending Shul (Synagogue), I often gaze around at the ritualistic objects and symbols that encircle me. After the usual custom of placing my Tallit (prayer shawl) over my head and meditating for a brief moment, the first item that I usually see as I bring myself out from my thoughts is The Eternal Flame. This is the light that hangs over the Aron Ha-Kodesh (The Holy Ark). It seems that I've always been intrigued by the Ner Tamid; an ever burning light introduced in the sixteenth century as a special feature of the interior of a Synagogue. It began from an idea that the lights of a Menorah; the seven branched Candelabra of early Temple days, were to be kindled continuously. Now, when I attend other Synagogues, I pay particular attention to their different styles and designs of these hanging lights.
Jews sometime take for granted the lighting of the Shabbat candles (Sabbath) or the lighting of a Yortzeit candle (Memorial candle) without a reflective understanding of the rituals of such and their meaning along with the lamp's source and its manufacture. We hardly consider the uniqueness of this object or think about its original use in ancient times, how it was conceived, how it looked, how it was made or even how it was used.
This somewhat innocent experience with lamps perked my interest to learn more about this very old item that consequently led to an obsessive fascination and curiosity regarding the use and the history of ancient Jewish oil lamps and more specifically, to the study of Near Eastern archaeology.
During an expedition to Israel in 1990 I acquired a lamp from a noted antiquities dealer in Jerusalem as a lasting memento. The oil lamp was dated circa 1st"God's lamp is the human spirit!" (Proverbs 27:20)
May my enjoyment with the intriguing world of Archaeology enlighten you also!
David A. Douglas Toronto, July 1999
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